Digital Cameras R Us Digital Cameras R Us – Digital Cameras

3Jan/100

Tips for Buying Right Digital Video Camera

Digital video recording system uses a digital video signal. Based on image capture formats, Digital video cameras are of two types: interlaced and progressive scan. In the Interlaced camera technology, the odd numbered lines are scanned first and later the even numbered lines are scanned. Again the odd numbered lines are scanned and so on. A set of even or odd lines is called as a field, and a frame is a successive pairing of two fields of opposite parities. In the progressive scanning digital video camera, each frame is recorded as distinct having both fields as identical. Hence, interlaced video records two times the fields per second similar to progressive video, when both work at the same number of frames per second.? This is the cause of the video having a ?hyper real? look since images are drawn at the rate of 60 times per second whereas the film records 24 to 25 progressive frames per second.Digital Video digital cameras have emerged technically superior. Today, we have a new generation of digital video cameras having a technology that eliminates the difficulty of frequent exchange of tapes as in the earlier digital camcorders. There are some important factors that can help you choose a digital video camera.Tape or Disc: Decide whether you need a camera that records on tapes or discs. Digital video can be recorded on both tape and disc formats. Other Medias are also used such as Card Cams, DVD cameras and Hard Disk Drive Cameras. Pixels: Your images will be clear with more realistic colors, as the number of megapixels is more.? Instead of considering the gross number of pixels that a camera can capture, the number of effective pixels should be considered. Effective pixels are the numbers used by the CCD chip of the camera while recording. CCDs: CCD chip captures the Pixel information similar to the way in which the film captures light for a film camera. You get brighter pictures with better colors with larger CCD as more light is taken along with the image. Low Light Performance: As most home digital video cameras are used indoors, it is essential to find a camera that performs better in low light conditions. Some models offer night vision function to shoot pictures in dark conditions. Zoom: There are two types of Zoom available in Digital cameras; Digital and optical. Optical zooms maintain picture clarity and are important. Some Digital video cameras have more digital zooms, i.e. the existing picture is enlarged resulting in less clearer images due to less pixels.Image Stability:Another complaint associated with picture quality is the shaky pictures apart from lowlight pictures.Interconnectivity:Most Digital video cameras are available with a number of sockets in the back for connecting the digital video camera to a VCR or DVD Recorder. Check out the available connections on your VCR or DVD or computer for compatibility. LCD Screens:More the pixels on the LCD screen, the better the picture quality.Manual Settings:For point and shoot pictures, automatic settings in the menu will be desired. For tailoring the image to the desired conditions, manual controls for the focus, iris, shutter speed and white balance affect the picture quality. Where to buy: Ensure that you buy your camera from a reputable source.

Visit http://www.digitalcamerapro.info for finding the best and cheap digital cameras of all types and models.

8Dec/095

Opteka Professional 1X-2X Right Angle Viewfinder for Canon, Nikon, Olympus, Sony, & Pentax Digital SLR Cameras

  • Includes 5 eyepiece adapters for Canon EOS, Nikon, Minolta, Sony Alpha, Leica, Pentax, Olympus and Fuji SLR cameras
  • Keeps correct subject position even with 360 degrees rotation
  • Diopter adjustment to accommodate for individual eyesight. Rubber eyecup for comfortable viewing
  • 9 elements in 5 groups with Opteka High Definition Mulit-Coated Optics.
  • Adjustable 1X - 2X Magnification. Eyepiece turns to focus.

Product Description
Ever find it hard to get your SLR in just the right angle to take that perfect shot you've always wanted. Optekas Professional Right Angle Viewfinder let's you line up an off the deck shot without needing to crawl on your belly. The Opteka finder features include a built in diopter with 1X and 2X capability, full 360 degree rotation, and universal mounting attachments for most Digital SLR cameras including Canon EOS, Nikon, Olympus EVOLT, Pentax, Sony Alpha, & many ... More >>

Opteka Professional 1X-2X Right Angle Viewfinder for Canon, Nikon, Olympus, Sony, & Pentax Digital SLR Cameras

27Sep/090

Knowing Which Digital Slr Camera Lens is Right for You?

When shopping for a Digital SLR Camera people often overlook or skimp on the camera?s lenses. Camera Lenses serve as the digital SLR cameras ?eye,? the lens determines what and how your camera will see your subject and how well that view is transmitted to the camera?s sensor chip for recording. The way I like to look at camera lenses is as painter?s brushes, broad strokes, medium stokes, all purpose brushes, and small detail brushes. There is a lot to learn about digital slr camera lenses and this article will serve as a basic outline to understanding them. The following sections explain the basic types of digital SLR camera lenses, how they work, and how to select them.Focal Length

On a digital SLR camera the focal length of the lenses measures the distance between the lens and the image sensor, measured in millimeters. Lenses can be classified into subgroups like prime, macro, wide angle, normal, telephoto, and zoom lenses. They are also rated in regards to f-stop or speed an example would be a F2.0 50mm lens or a 1.4F 80 mm lens. We will explain this later in this article.Prime Lenses:

Prime lenses are fixed focal length lenses like a 50mm 1.4f lens. To zoom with these types of lenses you need to use your feet and to get closer or farther away from the subject. Traditionally prime lenses are sharper and faster then zoom lenses. If you?re on a budget you can pick up some amazing used older prime lenses off eBay or your local camera store.Macro Lenses:

Marco Lenses are your detail brushes they enable you to get up close and personal with your subject. These types of lenses are used for extreme close ups on small objects like daisies, pennies, and food but not limited to these types of subjects. Examples of macro lenses are 50mm and 100 mm macros. These lenses are also great for selective focus types of photos.Wide-angle Lenses:

Wide-angle lenses are your broad stroke brushes; these types of lenses have short focal lengths. The short focal length has the visual effect of ?pushing? the subject away from you and making it appear smaller. The beauty of wide-angle lenses is you can be relatively close to your subject and fit a broad stroke of the background into the scene.

One problem with wide-angle lenses is known as convergence, a distortion that makes vertical structures appear to lean toward the center of the frame. A way to check if the wide-angle lenses you are interested in has convergence is to take test pictures before buying the lens. With high quality wide angles lenses like Canon ?L? series lenses address this convergence issue well. Examples of wide-angle lenses are 15MM, 17mm, 24mm and 28mm lenses.Normal Lenses:

Normal Lenses try to mimic how the human eye sees and are some of the most versatile lenses you can use. These are my all purpose brushes, and are somewhere between a wide angle and a telephoto lenses. If you buy just one lens try and buy the fastest normal lenses you can like a 50mm 1.4f lenses. Some examples of normal lenses are 35mm; 50mm, 65mm and some consider a 80mm a normal lens.Telephoto Lenses:

Lenses with long focal lengths 100mm and higher are called telephoto lenses. A long focal length seems to bring the subject closer to you and increases the subject's size in the frame. Telephoto lenses also give your subjects a graphic look and flatten out your subject. These lenses are my short stroke brushes.Zoom Lenses:

Zoom lenses are special because they can be very versatile. These types of lenses vary in their focal lengths and come in many in wide-angle, telephoto, and wide-angle to telephoto. In my bag I carry a 17mm to 35mm my wide?angle broad brush, 24mm to 70mm my medium brush, and a 80mm to 200mm my short brush. With these three lenses I get a very board range of focal lengths for any situation. All of my zooms are at least f2.8 through out the lenses range, which means my f-stop can stay constant while I am zooming in and out. These types of lenses are very expensive but so get what you pay for. When shopping for a zoom lenses check out the f-stop range rating. An example is a 24mm to 300mm f3.5-f5.6 lenses meaning the lowest f-stop you can shoot is at the 24mm range of the lenses and when you zoom to 200mm the lowest you can go is f5.6. Zoom lenses can give you flexibility and versatility all in one lenses. When buying a zoom lens try and get one that is made of glass and is the fastest you can afford, you will not regret it.

Understanding what these different groups of lenses can do will help you make more informed decisions on what lenses to purchase and what to put in your camera bag.